>>> YOU ARE VIEWING A 200 LINE SAMPLE OF EBOOK# E07209 <<< TITLE: THE BOTANIC GARDEN AUTHOR: ERASMUS DARWIN EBOOK: E07209 (O'Briens Book Cellar) LANGUAGE: ENGLISH [Illustration: FLORA attired by the ELEMENTS] THE BOTANIC GARDEN; _A Poem, in Two Parts._ PART I. CONTAINING THE ECONOMY OF VEGETATION. PART II. THE LOVES OF THE PLANTS. WITH Philosophical Notes. ADVERTISEMENT. The general design of the following sheets is to inlist Imagination under the banner of Science; and to lead her votaries from the looser analogies, which dress out the imagery of poetry, to the stricter, ones which form the ratiocination of philosophy. While their particular design is to induce the ingenious to cultivate the knowledge of Botany, by introducing them to the vestibule of that delightful science, and recommending to their attention the immortal works of the celebrated Swedish Naturalist, LINNEUS. In the first Poem, or Economy of Vegetation, the physiology of Plants is delivered; and the operation of the Elements, as far as they may be supposed to affect the growth of Vegetables. In the second Poem, or Loves of the Plants, the Sexual System of Linneus is explained, with the remarkable properties of many particular plants. APOLOGY. It may be proper here to apologize for many of the subsequent conjectures on some articles of natural philosophy, as not being supported by accurate investigation or conclusive experiments. Extravagant theories however in those parts of philosophy, where our knowledge is yet imperfect, are not without their use; as they encourage the execution of laborious experiments, or the investigation of ingenious deductions, to confirm or refute them. And since natural objects are allied to each other by many affinities, every kind of theoretic distribution of them adds to our knowledge by developing some of their analogies. The Rosicrucian doctrine of Gnomes, Sylphs, Nymphs, and Salamanders, was thought to afford a proper machinery for a Botanic poem; as it is probable, that they were originally the names of hieroglyphic figures representing the elements. Many of the important operations of Nature were shadowed or allegorized in the heathen mythology, as the first Cupid springing from the Egg of Night, the marriage of Cupid and Psyche, the Rape of Proserpine, the Congress of Jupiter and Juno, Death and Resuscitation of Adonis, &c. many of which are ingeniously explained in the works of Bacon, Vol. V. p. 47. 4th Edit. London, 1778. The Egyptians were possessed of many discoveries in philosophy and chemistry before the invention of letters; these were then expressed in hieroglyphic paintings of men and animals; which after the discovery of the alphabet were described and animated by the poets, and became first the deities of Egypt, and afterwards of Greece and Rome. Allusions to those fables were therefore thought proper ornaments to a philosophical poem, and are occasionally introduced either as represented by the poets, or preserved on the numerous gems and medallions of antiquity. TO THE AUTHOR OF THE POEM ON THE LOVES OF THE PLANTS. BY THE REV. W.B. STEPHENS. Oft tho' thy genius, D----! amply fraught With native wealth, explore new worlds of mind; Whence the bright ores of drossless wisdom brought, Stampt by the Muse's hand, enrich mankind; Tho' willing Nature to thy curious eye, Involved in night, her mazy depths betray; Till at their source thy piercing search descry The streams, that bathe with Life our mortal clay; Tho', boldly soaring in sublimer mood Through trackless skies on metaphysic wings, Thou darest to scan the approachless Cause of Good, And weigh with steadfast hand the Sum of Things; Yet wilt thou, charm'd amid his whispering bowers Oft with lone step by glittering Derwent stray, Mark his green foliage, count his musky flowers, That blush or tremble to the rising ray; While FANCY, seated in her rock-roof'd dell, Listening the secrets of the vernal grove, Breathes sweetest strains to thy symphonious shell, And gives new echoes to the throne of Love. _Repton, Nov. 28, 1788._ _Argument of the First Canto._ The Genius of the place invites the Goddess of Botany. 1. She descends, is received by Spring, and the Elements, 59. Addresses the Nymphs of Fire. Star-light Night seen in the Camera Obscura, 81. I. Love created the Universe. Chaos explodes. All the Stars revolve. God. 97. II. Shooting Stars. Lightning. Rainbow. Colours of the Morning and Evening Skies. Exterior Atmosphere of inflammable Air. Twilight. Fire-balls. Aurora Borealis. Planets. Comets. Fixed Stars. Sun's Orb, 115. III. 1. Fires at the Earth's Centre. Animal Incubation, 137. 2. Volcanic Mountains. Venus visits the Cyclops, 149. IV. Heat confined on the Earth by the Air. Phosphoric lights in the Evening. Bolognian Stone. Calcined Shells. Memnon's Harp, 173. Ignis fatuus. Luminous Flowers. Glow-worm. Fire-fly. Luminous Sea-insects. Electric Eel. Eagle armed with Lightning, 189. V. 1. Discovery of Fire. Medusa, 209. 2. The chemical Properties of Fire. Phosphorus. Lady in Love, 223. 3. Gunpowder, 237. VI. Steam-engine applied to Pumps, Bellows, Water-engines, Corn-mills, Coining, Barges, Waggons, Flying-chariots, 253. Labours of Hercules. Abyla and Calpe, 297. VII. 1. Electric Machine. Hesperian Dragon. Electric kiss. Halo round the heads of Saints. Electric Shock. Fairy- rings, 335. 2. Death of Professor Richman, 371. 3. Franklin draws Lightning from the Clouds. Cupid snatches the Thunder-bolt from Jupiter, 383. VIII. Phosphoric Acid and Vital Heat produced in the Blood. The great Egg of Night, 399. IX. Western Wind unfettered. Naiad released. Frost assailed. Whale attacked, 421. X. Buds and Flowers expanded by Warmth, Electricity, and Light. Drawings with colourless sympathetic Inks; which appear when warmed by the Fire, 457. XI. Sirius. Jupiter and Semele. Northern Constellations. Ice-islands navigated into the Tropic Seas. Rainy Monsoons, 497. XII. Points erected to procure Rain. Elijah on Mount-Carmel, 549. Departure of the Nymphs of Fire like sparks from artificial Fireworks, 587. THE ECONOMY OF VEGETATION. CANTO I. STAY YOUR RUDE STEPS! whose throbbing breasts infold The legion-fiends of Glory, or of Gold! Stay! whose false lips seductive simpers part, While Cunning nestles in the harlot-heart!-- 5 For you no Dryads dress the roseate bower, For you no Nymphs their sparkling vases pour; Unmark'd by you, light Graces swim the green, And hovering Cupids aim their shafts, unseen. "But THOU! whose mind the well-attemper'd ray 10 Of Taste and Virtue lights with purer day; Whose finer sense each soft vibration owns With sweet responsive sympathy of tones; So the fair flower expands it's lucid form To meet the sun, and shuts it to the storm;-- 15 For thee my borders nurse the fragrant wreath, My fountains murmur, and my zephyrs breathe; Slow slides the painted snail, the gilded fly Smooths his fine down, to charm thy curious eye; On twinkling fins my pearly nations play, 20 Or win with sinuous train their trackless way; My plumy pairs in gay embroidery dress'd Form with ingenious bill the pensile nest, To Love's sweet notes attune the listening dell, And Echo sounds her soft symphonious shell. [ _So the fair flower_. l. 13. It seems to have been the original design of the philosophy of Epicurus to render the mind exquisitely sensible to agreeable sensations, and equally insensible to disagreeable ones.] 25 "And, if with Thee some hapless Maid should stray, Disasterous Love companion of her way, Oh, lead her timid steps to yonder glade, Whose arching cliffs depending alders shade; There, as meek Evening wakes her temperate breeze, 30 And moon-beams glimmer through the trembling trees, The rills, that gurgle round, shall soothe her ear, The weeping rocks shall number tear for tear; There as sad Philomel, alike forlorn, Sings to the Night from her accustomed thorn; 35 While at sweet intervals each falling note Sighs in the gale, and whispers round the grot; The sister-woe shall calm her aching breast, And softer slumbers steal her cares to rest.-- [_Disasterous Love_. l. 26. The scenery is taken from a botanic garden about a mile from Lichfield, where a cold bath was erected by Sir John Floyer. There is a grotto surrounded by projecting rocks, from the edges of which trickles a perpetual shower of water; and it is here represented as adapted to love-scenes, as being thence a proper <<< END OF SAMPLE... (THE FULL EBOOK HAS 730947 TOTAL CHARACTERS) >>>