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TITLE: EAST AND WEST
AUTHOR: BRET HARTE
EBOOK: E05648 (O'Briens Book Cellar)
LANGUAGE: ENGLISH

EAST AND WEST

Poems.

by

Bret Harte.

Contents.

I.

A Greyport Legend
A Newport Romance
The Hawk's Nest
In the Mission Garden
The Old Major Explains
"Seventy-Nine"
Truthful James's Answer to "Her Letter"
Further Language from Truthful James
The Wonderful Spring of San Joaquin
On a Cone of the Big Trees
A Sanitary Message
The Copperhead
On a Pen of Thomas Starr King
Lone Mountain
California's Greeting to Seward
The Two Ships
The Goddess
Address
The Lost Galleon
The Second Review of the Grand Army

II.

Before the Curtain
The Stage-Driver's Story
Aspiring Miss de Laine
California Madrigal
St. Thomas
Ballad of Mr. Cooke
Legends of the Rhine
Mrs. Judge Jenkins: Sequel to Maud Muller
Avitor
A White Pine Ballad
Little Red Riding-Hood
The Ritualist
A Moral Vindicator
Songs without Sense

Part I.

East and West Poems.

A Greyport Legend.

(1797.)

They ran through the streets of the seaport town;
They peered from the decks of the ships that lay:
The cold sea-fog that came whitening down
Was never as cold or white as they.
 "Ho, Starbuck and Pinckney and Tenterden!
  Run for your shallops, gather your men,
  Scatter your boats on the lower bay."

Good cause for fear! In the thick midday
The hulk that lay by the rotting pier,
Filled with the children in happy play,
Parted its moorings, and drifted clear,--
  Drifted clear beyond the reach or call,--
  Thirteen children they were in all,--
    All adrift in the lower bay!

Said a hard-faced skipper, "God help us all!
She will not float till the turning tide!"
Said his wife, "My darling will hear _my_ call,
Whether in sea or heaven she bide:"
  And she lifted a quavering voice and high,
  Wild and strange as a sea-bird's cry,
    Till they shuddered and wondered at her side.

The fog drove down on each laboring crew,
Veiled each from each and the sky and shore:
There was not a sound but the breath they drew,
And the lap of water and creak of oar;
  And they felt the breath of the downs, fresh blown
  O'er leagues of clover and cold gray stone,
    But not from the lips that had gone before.

They come no more. But they tell the tale,
That, when fogs are thick on the harbor reef,
The mackerel fishers shorten sail;
For the signal they know will bring relief:
  For the voices of children, still at play
  In a phantom hulk that drifts alway
    Through channels whose waters never fail.

It is but a foolish shipman's tale,
A theme for a poet's idle page;
But still, when the mists of doubt prevail,
And we lie becalmed by the shores of Age,
  We hear from the misty troubled shore
  The voice of the children gone before,
    Drawing the soul to its anchorage.

A Newport Romance.

They say that she died of a broken heart
  (I tell the tale as 'twas told to me);
But her spirit lives, and her soul is part
  Of this sad old house by the sea.

Her lover was fickle and fine and French:
  It was nearly a hundred years ago
When he sailed away from her arms--poor wench--
  With the Admiral Rochambeau.

I marvel much what periwigged phrase
  Won the heart of this sentimental Quaker,
At what golden-laced speech of those modish days
  She listened--the mischief take her!

But she kept the posies of mignonette
  That he gave; and ever as their bloom failed
And faded (though with her tears still wet)
  Her youth with their own exhaled.

Till one night, when the sea-fog wrapped a shroud
  Round spar and spire and tarn and tree,
Her soul went up on that lifted cloud
  From this sad old house by the sea.

And ever since then, when the clock strikes two,
  She walks unbidden from room to room,
And the air is filled that she passes through
  With a subtle, sad perfume.

The delicate odor of mignonette,
  The ghost of a dead and gone bouquet,
Is all that tells of her story; yet
  Could she think of a sweeter way?

       *       *       *       *       *

I sit in the sad old house to-night,--
  Myself a ghost from a farther sea;
And I trust that this Quaker woman might,
  In courtesy, visit me.

For the laugh is fled from porch and lawn,
  And the bugle died from the fort on the hill,
And the twitter of girls on the stairs is gone,
  And the grand piano is still.

Somewhere in the darkness a clock strikes two;
  And there is no sound in the sad old house,
But the long veranda dripping with dew,
  And in the wainscot a mouse.

The light of my study-lamp streams out
  From the library door, but has gone astray
In the depths of the darkened hall. Small doubt
  But the Quakeress knows the way.

Was it the trick of a sense o'erwrought
  With outward watching and inward fret?
But I swear that the air just now was fraught
  With the odor of mignonette!

I open the window, and seem almost--
  So still lies the ocean--to hear the beat
Of its Great Gulf artery off the coast,
  And to bask in its tropic heat.

In my neighbor's windows the gas-lights flare,
  As the dancers swing in a waltz of Strauss;
And I wonder now could I fit that air
  To the song of this sad old house.

And no odor of mignonette there is
  But the breath of morn on the dewy lawn;
And mayhap from causes as slight as this
  The quaint old legend is born.

But the soul of that subtle, sad perfume,
  As the spiced embalmings, they say, outlast
The mummy laid in his rocky tomb,
  Awakens my buried past.

And I think of the passion that shook my youth,
  Of its aimless loves and its idle pains,
And am thankful now for the certain truth
  That only the sweet remains.

And I hear no rustle of stiff brocade,

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